Yenna Wu (吳燕娜)

Yenna Wu (吳燕娜)

Professor of Chinese and Distinguished Teaching Professor, Chinese/Civilizations/Comparative Literature

Ph.D. in East Asian Languages and Civilizations, Harvard University, 1986

Office: HMNSS 2413
Email: yenna.wu@ucr.edu

Dr. Yenna Wu’s area of specialization is Chinese literature, culture, and language. Her research covers various aspects of Ming-Qing fiction; Chinese women and literature, and Chinese women’s studies; Chinese labor camp studies, human rights issues and aesthetics of political prison literature; selected contemporary Chinese, Taiwan and Sinophone narratives and films; and Chinese language textbooks designed for non-heritage learners or for heritage speakers. She has published over 70 articles and book chapters as well as a number of books, translations, and reviews in both English and Chinese. Her numerous publications include The Chinese Virago: A Literary Theme (1995), The Lioness Roars: Shrew Stories from Late Imperial China (1995), Ameliorative Satire and the Seventeenth-Century Chinese Novel, Xingshi yinyuan zhuan—Marriage as Retribution, Awakening the World (1999), The Great Wall of Confinement: The Chinese Prison Camp Through Contemporary Fiction and Reportage (co-authored, 2004), Remolding and Resistance among Writers of the Chinese Prison Camp: Disciplined and Published (co-edited, 2006), Me and China (co-authored, 2008), Mandarin Chinese the Easy Way with Audio CD (co-authored, 2008), Human Rights, Suffering, and Aesthetics in Political Prison Literature (co-edited, 2011), The Thought Remolding Campaign of the Chinese Communist Party-State (by Hu Ping; co-translated, 2012), and Li Ang’s Visionary Challenges to Gender, Sex, and Politics (edited, 2014).

Professor Wu’s interdisciplinary research on Chinese women and the representation of gender dynamics has broadened to include analyses of the differences between Western feminism and Chinese women’s studies in the framework of transnational feminism and globalization. She continues her research on literary portrayals of cannibalism, engaging postcolonial discourse on this topic. In addition, she examines Ming-Qing literary representations of the cultural practice of gegu liaoqin 割股療親as well as its connections with ethics and religion. Exploring the issues of psychological trauma and human rights through prison camp fiction and memoirs, she is interested in examining the intersections of politics and aesthetics in prison literature in an interliterary and intercultural context. Furthermore, Professor Wu studies selected contemporary Chinese, Taiwanese and Sinophone works, and has edited a volume of critical essays (in English) on Li Ang 李昂, a famous feminist writer from Taiwan. She continues to do research on Li Ang’s more recent publications and Li’s exploration of the intersection of food, sexuality, and politics. One of Professor Wu’s current projects, “Betrayal, Trauma, Resilience: Resisting the Amnesia of Mao-Era Victimization Through Narratives and Films,” includes research on works about the PRC’s Great Leap Forward famine and the Jiabiangou labor camp.

Selected Recent Publications:

  • Wu, Yenna, (2022) “Reverberations of Collective Traumatic Memories from a South Korean Movie to June Fourth and Jiabiangou”, ASIANetwork Exchange A Journal for Asian Studies in the Liberal Arts 28(1). doi: https://doi.org/10.16995/ane.8153
  • Wu, Yenna. 2021. “Advocating Empathy and Inclusiveness: Taiwan’s Movie Your Name Engraved Herein (2020).” American Journal of Chinese Studies 28.2 (October 2021): 73-96.
  • Yenna Wu, “Cultural Trauma Construction of the Necropolitical Jiabiangou Laojiao Camp.” American Journal of Chinese Studies 27.1 (April 2020): 25-49.
  • [Correction on p. 36:  change the figure “550,287” to “552,877”.]
  • Wu, Yenna. “Reconsidering the Innovation and Ambiguity in Idle Talk under the Bean Arbor (Doupeng xianhua 豆棚閒話).” Ming Studies 2019:80, 48-75. https://doi.org/10.1080/0147037X.2019.1668183
  • Wu, Yenna. “Recognizing and Resisting China’s Evolving Sharp Power.” American Journal of Chinese Studies 26.2 (October 2019): 129-53.
  • Wu, Yenna. “In Defense of Bodily Self-sacrifice and Asceticism: The Making of a Virgin Saint in Xingshiyan型世言.” In Jesse Glass and Philip F. Williams, eds., Salutations; a Festschrift for Burton Watson. Tokyo: Ahadada/Ekleksographia, 2015. Pp. 78-103.
  • Wu, Yenna.  “Female Literary Talent and Gender-related Trauma in Li Ang’s ‘No-sky Ghost.’” American Journal of Chinese Studies 22.1 (April 2015): 59-76.
  • Wu, Yenna. “Li Ang’s Gendered Dissent in ‘The Devil in a Chastity Belt.’”  Frontiers of Literary Studies in China 8.2 (June 2014): 253-276.
  • Wu, Yenna, ed. Li Ang’s Visionary Challenges to Gender, Sex, and Politics. Lanham, MD: Lexington Books, Rowman & Littlefield Publishers, Inc., 2014. This is the first collection of critical essays in English on the Taiwanese feminist author Li Ang 李昂 (pseudonym of Shih Shu-tuan; Shi Shuduan 施淑端, 1952- ) and her works.
  • Wu, Yenna. “Ming-Qing Fiction”. In Oxford Bibliographies in Chinese Studies. Ed. Tim Wright. New York: Oxford University Press, 22 Apr. 2013.
  • The Thought Remolding Campaign of the Chinese Communist Party-State. Original Chinese version人的馴化,躲避與反叛by Hu Ping胡平. Translated and edited by Philip F. Williams and Yenna Wu. Amsterdam: Amsterdam University Press, 2012.
  • Wu, Yenna. “China Through Yu Hua’s Prism.” American Journal of Chinese Studies 19.1 (April 2012): 55-62.